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“Perhaps time is the single most important determinant in how we understand ceramic. It isn’t just that the discipline has a dauntingly deep and pervasive history – we are aware of fired clay objects from as early as 29,000 BCE – but that we have superb examples of them, from then through virtually every age up to the present. The lasting power of fired clay is unique: no other art has a lineage as ubiquitous or intense as this. Inevitably then, it leans on all contemporary artists who seriously engage with it. Contemporary ceramic has to deal with an ever-present memory, one that cannot easily be elided, and this is an inescapable factor in its aesthetic make-up.” Paul Greenhalgh, director of the Sainsbury Centre
Leading ceramics expert Paul Greenhalgh takes us back to where it all began, introducing two of the biggest names in Korean ceramics working today for their debut in London, as part of our focus on Ceramic across both London and Wiltshire venues.