Born in Aberdare, Wales in 1943, Beard studied at the University of London and the Royal College of Art. Beard has had a distinguished teaching career throughout England and Australia co - producing and appearing in a series of programmes for BBC television in the UK, before arriving in Western Australia in 1983 to become Head of Fine Art, at Curtin University, Perth.
Christie Brown is an artist and Emerita Professor of Ceramics at the University of Westminster in London. She graduated from Harrow School of Art in 1982 and set up her north London studio that year. At Westminster she taught on the BA, MA and PhD programmes while maintaining and developing her sculptural practice. She was Principal Investigator on the AHRC project Ceramics in the Expanded Field.
Once a shipwright, Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel, this aspect of his work is explored in Emily Harris’ film for Classic Yacht TV, ‘Shaped by the Sea’, which draws many parallels between the art of the boat builder and the painter of boats.
Gommie’s works are testaments to the joys and tribulations of the people of all walks of life that he has met – their insights, wisdom and often, suffering which they have shared with him and which he has turned into iconic pictures of colour and life. His work is not easy to categorise; it combines text-based art, land art, performance all of which can be enjoyed at Messums London at 6pm on Febr
Malene Hartmann Rasmussen is a Danish artist living in London. She works with mixed media sculpture, making and arranging multiple components into complex narrative tableaux of visual excess. She tries to create a place beyond reality, echoing ancient myths from the Nordic Lands.
For the past seven years, photographer Tif Hunter has nursed an interest in ‘tintypes’. These are handmade, one-off images which use a nineteenth-century technique, developed in the early days of photography. Hunter’s pioneering work with tintype portraiture, combined with 21st century lighting techniques, has led to many commissions including those from The Jerwood Foundation and retailer Toast.
Makoto Kagoshima, based in Kyushu, the southern island of Japan, illustrates whimsical and heart-warming motifs on clay, making each ceramic object a unique, one-of-a-kind piece of art. After graduating from the art college, Makoto worked in the Conran Shop in Fukuoka and didn’t become a full time potter until the age of 35.
Abandoning his medical studies to become an artist, in 1905 Lamb moved to London where he studied under Augustus John and William Orpen at their short-lived Chelsea Art School. A highly gifted draughtsman he soon moved to Paris, and painted in Brittany. On his return to London he made his name with an extraordinary full-life sized portrait of Lytton Strackey (now in the Tate).
Alexander Lindsay creates photographic landscapes of extraordinary beauty. For the past forty years, Lindsay has brought his cameras to the most extreme situations and environments on the planet. From his earliest experiences with the Maasai tribe, a five year spell in Afghanistan during Soviet occupation and his expeditions to photograph and film the wreck of the Titanic 4km beneath the ocean.
James Lynch grew up in Wiltshire and lives in Somerset. Since his first sell-out exhibition in the West Country in the 1980s he has won awards, exhibited regularly in London and received many commissions from private clients and corporations. He is a painter of the English landscape who has spent years mastering the ancient medium of egg tempera.
Marioni burst onto the international glass scene aged nineteen, becoming famous for his sophisticated glass objects, which evoke the rich tradition of classical Mediterranean pottery and bronzes. Marioni has training in Venetian glassblowing techniques with some of the greatest masters in contemporary glass.
McCrum’s work is a potent fusion of the ancient with the modern. She works primarily in stone, from which some pieces are also cast in bronze. Initially influenced by archaeological finds and by the work of Brancusi, Hepworth and Moore, her sculpture also contains oblique references to the landscape and fauna around her homes in Devon and Gozo.
“I was particularly influenced by commentary in Tate Modern’s catalogue for an exhibition of Agnes Martin (2015), as follows: ‘The root word for ‘grid’ in both Latin and Greek denotes ‘wicker work’ – flexible twigs or shoots woven criss-cross into a horizontal-vertical format.’* This released me – from the idea of the grid as simply a rigid structure of straight lines – and led me to start drawing
Tuesday Riddell graduated with a BA (Hons) in Fine Art Painting from City & Guilds of London Art School. She has just concluded her Painter-Stainers Decorative Surface Fellowship at City & Guilds – the only Fellowship in the UK that provides specialist training in the craft of decorative surface techniques to ensure that endangered skills are kept alive and vibrant
Jørgen Haugen Sørensen, born in Copenhagen in 1934, is one of Denmark’s most esteemed and decorated sculptors. Since the age of nineteen, he has lived and worked in various European metropoles such as Paris, Verona, and Barcelona. In 1971 he moved to Pietrasanta in Tuscany, Italy, which has served as his primary residence ever since.
One of a handful of glass-blowers in the world who focus solely on figurative sculpture, Elliot sculpts in molten glass using the Messello technique. Working this way requires extreme dexterity, speed and precise temperature control. Elliot chooses to sculpt in glass mainly for the material’s immediacy and transparency and for the intensity of the sculpting experience.
For more than a decade from the 1970’s, British born artists John walker was one of the most influential and imitated painters working in the UK, he represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was shirtlisted for a Turner Prize in 1985.
Angela Williams b.1941Angela Williams started her career as a freelancer in the 60s. Aged twenty-one she was introduced to the eminent fashion photographer Norman Parkinson. Williams soon became his personal assistant, resulting in a close working relationship and creative collaboration that continued throughout her subsequent career. She worked with Jeremy Banks on the Observer New Supplement.
Williams works almost exclusively in egg tempera - a painstaking, exacting medium in which egg is used instead of linseed oil as the binding medium. He trained at Farnham College of Art and Portsmouth University and is a member of the New English Art Club, the Royal Society of Portrait Painters and the Pastel Society.