Laurence Edwards’s work has found its way into stately homes, public parks and domestic spaces. The versatility of environment that his work has thrived in showcases its ability to own the space around it, no matter how vast or small, domestic or wild. The difference between a thirteenth century tithe barn in Wiltshire and a Mayfair gallery might be boundless but the striking and enigmatic figures of Laurence Edwards populate both spaces with an atmosphere of mysterious omniscience.
The variability, however, between the individual pieces is exemplified by their curated groupings and placings. The collection of works in Wiltshire for example demand more from their space. Their volumous and shadowy stature possess their own kind of gravity while the pieces in London are preoccupied by more delicate forces; reflection, balance and line.
Wiltshire – Volume
Perhaps the first impression one might get from walking into the Barn and finding yourself amongst these towering characters is the effect of their scale. Not only scale in relation to the building or even to each other but to the viewer. One is confronted by the uneasy feeling of being looked down on from a height or the humbling experience of being eye to eye with a bust larger and taller than oneself. The lofty ceilinged space gives a sense of cathedral-esk verticality that lends a biblical tone to the weighty subjects.
London – Line
The preoccupations inherent in the pieces in Cork St are less to do with volume and more to do with tensions and forces such as that of rope, ties and supports. They elicit notions of the push and pull of encasement and a desire to break free, or the heaviness of the burden many of them carry. Often they suggest some conflict with visible outer forces and often invisible inner forces pertaining to the male psyche. Whatever their struggle these pieces are created with a lighter hand, they are the drawn line solidified in bronze.
Following an outstanding opening of Malene’s work in Cork St, Malene Hartmann Rasmusen’s exhibition ‘Fantasma’ has relocated itself to Istanbul to be part of ‘Beyond the vessel: Myth and Metamorphosis in Contemporary Ceramics’.
It is too often the case that provincial artists (responding to their own culture or the mythologies of their own community) have to enter main, often western, centers of the world in order to make their name. The koc foundation in Istanbul is upending this. This exhibition looks decidedly outward and pays particular attention of the mythologies of different communities while highlighting the unifying quality of the ancient medium of clay itself.
Malene has drawn inspiration from the cultural outpourings of Scandinavia and her own past. Her work itself is very much responding to a journey that she is on and we are delighted to play a part in the physical journey of these works from Denmark to London and to Istanbul.
Shortly prior to exhibiting in Messums London Malene completed a ceramics residency at the V&A which has informed the works on show.
We are delighted to announce that Messums will now represent the Australian artist Daniel Agdag in Europe and North America. Following his sell-out show at our sister gallery Messums Wiltshire, Daniel’s collection of intricate scalemodels can be viewed here in Cork Street until this Friday 12 July.
Daniel is an artist and filmmaker based in Melbourne, Australia, whose practise sits at the nexus of sculpture and motionography. He creates highly detailed sculptural pieces that have been described as architectural in form, whimsical and antiquated in nature and inconceivably intricate.
Daniel predominately works in cardboard. Drawn to its utilitarian origins and monochromatic presentation, he creates a paradox of fragility and strength with structures that resemble architectural forms and machines by utilising a medium that is essentially paper and preserving them under glass vitrines or bell jars.
Whilst his work is predominantly realised in cardboard he has made work in steel, wood and glass in recent years as part of translating his elaborate ideas into large scale public art sculptures, in 2014 he completed a large-scale public commission ‘The Inspector’ in Abbotsford, Melbourne.
The son of Armenian immigrants, Daniel Agdag studied Fine Art before his interest in moving image drew him to filmmaking. He received a Masters in Film and Television from the Victorian College of the Arts in 2007.
He has exhibited solo shows in Melbourne and New York and been presented at several international art fairs: Melbourne Art Fair; Sydney Contemporary; Art Central Hong Kong; VOLTA Basel; Art Fair Tokyo. His work is held in private collections in the United States, Japan, Hong Kong, Australia and Europe. He has completed several private commissions, notably for Hermès Paris.
To see our collection of Daniel’s artworks click here
Until Friday 28 June
For one week the team of curators from the Pod at Messums Wiltshire, our sister gallery in Tisbury, will host a pop-up exhibition in the windows of Messums London on Cork Street to showcase works by talented British and international makers.
The Pod at Messums Wiltshire is a unique retail space inside a 13th century tithe barn, the largest thatched building in the country. It presents a fusion of artists and makers brought together to explore the margin where art meets design and craft. Artist makers include those working in wood, ceramics, textiles and glass from a range of makers who are original in their execution of the creative process. Each item found has a story behind it; a story of the maker and their journey and a story of the end product. All handmade, all using materials in a way that demonstrates their true nature.
Each artisan understands the material they work with to create works to be valued and cherished in a way that is the antithesis of a throw away, quick fix society.
There are makers that are interested in sustainability in the textile industry, using offcuts and surplus fabrics in an ingenious way to produce finished pieces that are at once visually arresting and practical.
Whether it is ceramic or paper, each item is made by hand in small quantities by individuals or as part of a small studio so traceability is possible and connections are made by us with the makers create unique pieces that are often a response to our magnificent setting – a 13th century tithe barn that is one of the finest in the country.
They range in price according to the labour involved and scale of the finished works as we support local makers, as well as national and international artists and artisans.
For more information click here